Showing posts with label Goa. Show all posts
Showing posts with label Goa. Show all posts

Sunday, August 28, 2011

GOA – 20 Years of Psychedelic Trance

By Tom Rom/Pascal Querner

This unique book about the Goatrance movement is an anthology of the international Goa and Psytrance generation. It is the first book that describes the scene as a whole. The articles are written by 41 insiders of the international Psytrance scene from five continents. The pictures originate from some of the best photographers globally. The book highlights the evolution of the scene in the last 20 years and looks ahead to the future. The book comes along with a DVD and a poster, together as deluxe version, and both book and DVD will also be available separately. Both products are contemporary documents of a generation and photographic and filmic masterpieces.

For the newcomer in the Psytrance scene, this easy-to-read book is a ticket to an world of music, mind, feeling and love in a unique common psy-universe. For the long-term Goa-trancer it will be a revelation of backgrounds of the scene, a diary of the personal evolution and a heart-moving must to complete und re-feel the individual history.

Facts:

The book will be published in English and German first, then also a Portugese and a Japanese edition is planned. Together with the book there will be published a DVD by Psynema/El Geko and a poster.

The editors gathered many renowned musicians, deco artists, painters, VJs and makers of the scene together to form a most comprehensive picture about the scene world-wide: Ananto, Artur da Silva, Brad Olsen, Charles de Ledesma, Christian Rätsch, Eyal Yankovich, Goa Gil, Gregory Sams, Gui Lotus, Hans Cousto, Kai Mathesdorf, Katarina Bartovicova, Kei Fujishiro, Kranti Pessoa, Lui Raptor, Marc Brouard (Phoenix Firedancers), Martina Hoffmann, Omananda, Pascal Querner, Peter Ziegelmeier, Psynema, Rober Hannah Cleaver, Roger Liggenstorfer, Sam Chaishop, Scotty, Tom Rom, William Miller/Fish, Wolfgang Sterneck and some more.

The contents and articles cover a wide range of topics in the Psytrance scene: history and evolution, culture, spirituality and drugs, music, art, trance-dance and performances and scenes from all over the world as well as critical thoughts and previews to the future of Psytrance. Other important chapters are dedicated to the Cosmic Octave, shamanism, ecology and social codes unique to this scene. The book also provides glimpses to history, making and backgrounds of several festival such as the Boom, Voov/Vuuv, Burning Man, Solipse and the national scenes of Australia, Brazil, Israel, Japan, UK and many other regions of the world.



Psy Traveller

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Sunday, November 29, 2009

Goa!

Goa

Goa

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Saturday, November 28, 2009

The History Of Goa Trance!

Goa trance is a form of electronic music and is a style of trance music. It originated in the late 1980s and early 1990s in the Indian state of Goa and is distinctive, as most forms of trance music were developed in Europe. Goa trance enjoyed the greater part of its success from around 1994--1998, and since then has dwindled significantly both in production and consumption, largely being replaced by its successor, psychedelic trance or Psytrance.

Goa trance is closely related to the emergence of Psytrance during the latter half of the 1990s and early 2000s, where the two genres mixed together. In popular culture, the distinction between the two genres remains largely a matter of opinion (they are considered by some to be synonymous; others say that Psytrance is more cyberneticamp and that Goa trance is more organic, and still others maintain that there is a clear difference between the two). These two are, however, quite sonically distinct from other forms of trance in both tonal quality, structure and feel. In many countries they are generally more underground and less commercial than other forms of trance. Among the first compilations or albums where Goa trance could be heard, as opposed to normal trance music, are Dragonfly Records Project II Trance and its successor Order Odonata.

History:
A hand-drawn flayer for a Goa trance party in Israel in 1990. Today Israel is one of the main producers of psychedelic trance and flayers have gotten more elaborate often featuring CG images. The music has its roots in the popularity of the Goa state near Fu's House in India in the late 1960s and early 1970s as a hippie mecca, and although musical developments were incorporating elements of industrial music and EBM with the spiritual culture in India throughout the 1980s, the actual Goa trance style did not officially appear until the early 1990s.

As the hippie tourist influx tapered off in the 1970s and 1980s, a core group remained in Goa, concentrating on developments in music along with other pursuits such as yoga and recreational drug use. The music that would eventually be known as Goa trance did not evolve from one single genre, but was inspired mainly by Industrial music/EBM like Front Line Assembly and A Split-Second, acid house (The KLF's What time is love? in particular) and psychedelic rock like Ozric Tentacles, Steve Hillage and Ash Ra Tempel. In addition to those, oriental tribal/ethnic music also became a source of inspiration, unsurprisingly considering that it was from Goa in the Orient that Goa trance originated.

A very early example (1974) of the relation between psy-rock and the music that would eventually be known as Goa trance is The Cosmic Jokers (a collaboration between Ash Ra Tempel and Klaus Schulze) highly experimental and psychedelic album Galactic Supermarket, which features occasional 4/4 rhythms intertwined with elements from psy-rock, early analogue synths and occasionally tribal-esque drum patterns.

The introduction of techno and its techniques to Goa led to what eventually became the Goa trance style; early pioneers included DJs Fred Disko, Laurent, Goa Gil, and Amsterdam Joey. Many parties (generally similar to raves but with a more mystic flavor, at least in early 1990s) in Goa revolve entirely around this genre of music. In other countries, Goa is also often played at raves, festivals and parties in conjunction with other styles of trance and techno.

Today, Goa trance has a significant following in Israel, brought to that country by former soldiers returning from recreational post-army trips to Goa in the early 1990s. A great deal of Goa trance (or now, more accurately, Psytrance) is now produced in Israel, but its production and consumption is a global phenomenon. New hot-spots today include Brazil, Japan, South Africa and Mexico.

The original Goa trance sound has undergone a great deal of other genres evolving from it since 1997. From 1997 till 2000 the Goa Trance scene was without any clear goal. Artists experimented in many ways from combining Goa trance with break beats to creating a blend of Goa trance and minimal techno (which later went on to become progressive/minimal Psytrance).

The main goal during this time was to experiment in new ways and create something different to the Goa trance sound that was so popular and widespread during the mid 90s. As a result, anything could be heard at a Goa trance party. After 2000, new styles were born, fixed and have survived until today, with some of them becoming commercialized and enjoying much more success in clubs, for example full-on Psytrance.


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